Sometimes people are balls. The trick is, I guess, to understand that this does not make you balls and that their ballery is their own concern. Also, expecting them to not be balls just because you can see that they are, in fact, balls or calling them out on the aforementioned ballery because they apparently cannot see it themselves is not necessarily going to reduce their level of being balls. Making your point is just going to wash away in their scrotal sac tide of ballery and you'll get heartburn. Which is balls. So think to yourself, I feel bad for your epic balls-ness but fuck it I'm not going to be balls about this ballery myself. I'm not going to "rise above it" or any of that shitdickery, I'm just going to worry about my own balls and maybe polish them so they're shiny and not clammy and sad like yours.
Break free from the ballery of others. Be in touch with your own balls.
Sunday, 17 February 2013
Sunday, 13 January 2013
Silver Linings ...
Don't get me wrong. I quite enjoyed Silver Linings Playbook. However, something about it left me cold. A lot about it. Maybe it was the utter lack of chemistry between the leads. Lawrence had more chemistry with Chris Tucker in their brief dancing bits and Cooper had more chemistry with his bed.
Don't actors learn to act with their eyes anymore? Both Cooper and Lawrence pulled the faces but I didn't feel the emotions coming from inside them. Does that make sense? Probably not, but against something of a masterclass from Robert De Niro and, particularly, Jacki Weaver as Cooper's parents it made for a somewhat hesitant watch.
It's a "dram-rom-com" that tries to suggest we're all a bit crazy, ho ho ho, but we can still love and be loved, we just have to move forward, face the truth (whatever the fuck that is) and take responsibility. It has moments of sweetness and "truth" (mainly in the medium of the uncensored - because they're crazy y'all - protagonists asking and revealing to each other crazy bald facts about their crazy lives) but something about it fell short and flat. I certainly have to wonder about the calibre of other performances in the main acting Oscar categories if these two are being jizzed over in the press.
That said, they're not awful, far from it. They're quite engaging, and Lawrence tries really hard to be a grown up, it just comes across that she's "trying" rather than "being". I do think she's going to get better as she gets older. By the time she's Weaver's age she may well have acquired those righteous acting chops too. Cooper was better than a plank of wood (his usual M.O. which is often to do with the films he chooses - no one does Face like Dirk Benedict, bitches*) He's eloquently hyper but his swift turnaround from manic instability to calm realisation didn't work for me. That said, enlightenment can sometimes hit you like a freight train, even if you're all crazy and shit. So okay, I thought, I can swallow that ... but then his dead eyes drained my remaining sympathy like a catheter. Come on man.
I want to say good things about this film but, if I'm honest, I found it bordering on patronising wankfest (and not in the fuzzy tingle times way). I'd say something cavalier about better performances or maybe casting for the leads saving the day ... but the saccharine yackydah of the convenient ending you can see coming a mile away - while potentially satisfying for the rom-com crowd - pinches my ball sac.
5/10 - for Weaver, DeNiro and Tucker.
*That fucking A-Team film. Have people no goddamned shame?
Don't actors learn to act with their eyes anymore? Both Cooper and Lawrence pulled the faces but I didn't feel the emotions coming from inside them. Does that make sense? Probably not, but against something of a masterclass from Robert De Niro and, particularly, Jacki Weaver as Cooper's parents it made for a somewhat hesitant watch.
It's a "dram-rom-com" that tries to suggest we're all a bit crazy, ho ho ho, but we can still love and be loved, we just have to move forward, face the truth (whatever the fuck that is) and take responsibility. It has moments of sweetness and "truth" (mainly in the medium of the uncensored - because they're crazy y'all - protagonists asking and revealing to each other crazy bald facts about their crazy lives) but something about it fell short and flat. I certainly have to wonder about the calibre of other performances in the main acting Oscar categories if these two are being jizzed over in the press.
That said, they're not awful, far from it. They're quite engaging, and Lawrence tries really hard to be a grown up, it just comes across that she's "trying" rather than "being". I do think she's going to get better as she gets older. By the time she's Weaver's age she may well have acquired those righteous acting chops too. Cooper was better than a plank of wood (his usual M.O. which is often to do with the films he chooses - no one does Face like Dirk Benedict, bitches*) He's eloquently hyper but his swift turnaround from manic instability to calm realisation didn't work for me. That said, enlightenment can sometimes hit you like a freight train, even if you're all crazy and shit. So okay, I thought, I can swallow that ... but then his dead eyes drained my remaining sympathy like a catheter. Come on man.
I want to say good things about this film but, if I'm honest, I found it bordering on patronising wankfest (and not in the fuzzy tingle times way). I'd say something cavalier about better performances or maybe casting for the leads saving the day ... but the saccharine yackydah of the convenient ending you can see coming a mile away - while potentially satisfying for the rom-com crowd - pinches my ball sac.
5/10 - for Weaver, DeNiro and Tucker.
*That fucking A-Team film. Have people no goddamned shame?
Friday, 28 December 2012
2013 is the year I turn 40. FUCK YEAH!
I just read an article with a woman who turned 40 this year and has finally "accepted" that she is no longer young and has had to give up her youthful dreams, like going to acting school or becoming an über-tycoon. There are several questions here, not least of which are
1) Why did I waste time I will never get back reading such banality? and
2) WTF? If we all assign ourselves to the scrap heap or give up on dreams because of being a certain age then we are just conforming to the idiot dichotomy of modern life. Youth is the be all and end all and yet we have an increasingly "older" population?
Youth is precious simply because it is fleeting. So while it's nice and we should perhaps try to appreciate our time in the land of tight jeans and wild hair (not so much the tight jeans for me, I weighed about 19 stone for most of my twenties, but I did often have mad hair) shouldn't we bloody well value the fact that our shit gets wiser or, at the very least, we've failed often enough to start working that shizzle into a golem of self-advantage rather than self-sabotage at last?
I intend to be not young for a long fucking time. Maybe I'm lucky - Mr Y calls me the baby-faced assassin - and it's true, I don't particularly have wrinkles and people regularly think I'm about ten years younger than my not-at-fucking-all decrepit 39 years. But face is not fact. I am 39 and I will be 40 in about 9 and a half months. So according to that fool woman, it's time I accepted I'm not young and that I should give up childish dreams. Well, I say, fuck that shit. Fuck it right up the arse and out the ear. Realising that you're not as young as you were is like saying "hey man, this water is like totally wet" REDUNDANT. Age is meaningless. People die all the time at all kinds of ages, many of them far too young (quite a few far older than they deserved, naming no names). Rather than bemoaning our loss of years, we should be shouting "FUCK YEAH! I'm still here and I'm kicking that time shit in the BALLS!". The last things you are going to prise out of my cold dead hands are my dreams, youthful or otherwise. That's right. I'm going to rule the world, I'm going to write a best-selling library of books and Benedict Cumberbatch is going to rub his balls all over his Oscar for starring in my movies. Or something. I'm going to outdo Bassey, I'm going to win gold medals. I'm going to do it all. Or I won't, whatever. But I'm always going to dream I can.
Onwards.
1) Why did I waste time I will never get back reading such banality? and
2) WTF? If we all assign ourselves to the scrap heap or give up on dreams because of being a certain age then we are just conforming to the idiot dichotomy of modern life. Youth is the be all and end all and yet we have an increasingly "older" population?
Youth is precious simply because it is fleeting. So while it's nice and we should perhaps try to appreciate our time in the land of tight jeans and wild hair (not so much the tight jeans for me, I weighed about 19 stone for most of my twenties, but I did often have mad hair) shouldn't we bloody well value the fact that our shit gets wiser or, at the very least, we've failed often enough to start working that shizzle into a golem of self-advantage rather than self-sabotage at last?
I intend to be not young for a long fucking time. Maybe I'm lucky - Mr Y calls me the baby-faced assassin - and it's true, I don't particularly have wrinkles and people regularly think I'm about ten years younger than my not-at-fucking-all decrepit 39 years. But face is not fact. I am 39 and I will be 40 in about 9 and a half months. So according to that fool woman, it's time I accepted I'm not young and that I should give up childish dreams. Well, I say, fuck that shit. Fuck it right up the arse and out the ear. Realising that you're not as young as you were is like saying "hey man, this water is like totally wet" REDUNDANT. Age is meaningless. People die all the time at all kinds of ages, many of them far too young (quite a few far older than they deserved, naming no names). Rather than bemoaning our loss of years, we should be shouting "FUCK YEAH! I'm still here and I'm kicking that time shit in the BALLS!". The last things you are going to prise out of my cold dead hands are my dreams, youthful or otherwise. That's right. I'm going to rule the world, I'm going to write a best-selling library of books and Benedict Cumberbatch is going to rub his balls all over his Oscar for starring in my movies. Or something. I'm going to outdo Bassey, I'm going to win gold medals. I'm going to do it all. Or I won't, whatever. But I'm always going to dream I can.
Onwards.
Friday, 21 December 2012
Sara Lunsford's Sweet Hell on Fire: A Memoir ...
I just read a fucking good book. Then I read a couple of the reviews of it on GoodReads and thought "wtf?!" So I'll repeat what I said there and tell you what I thought.
Sweet Hell on Fire is honest and inspiring - rare traits in this increasingly disingenuous age. Talking about "narrative arcs" and "storytelling voice" in relation to a memoir like this is redundant, not to mention somehow snarkily oblivious, if you will. This is life lived (almost) one day at a time. You don't get arcs in life, you just get life.
Lunsford's account of her year is brutal and you get a no holds barred sense of a quest for self - or, more appropriately, the regaining of self - whether she thought she wanted it or not. It's quite something to sit down and open yourself up like that. There might well be some self-justification in there, but you'd have to be an insensate ass not to see that this is far outweighed by the honesty with which she deals with herself and her actions during her descent and ascent - she's human for goodness' sake!
I read it in two sittings. It showed me things about myself that I need to deal with, that I've been shilly-shallying about with for far too long. I need to dispense with my apathy and kick myself back into the game. Lunsford showed me how to own it. I'm not going to let either her or myself down.
Thank you, Sara.
Get the Kindle Edition here
http://www.amazon.co.uk/Sweet-Hell-Fire-Memoir-ebook/dp/B008NC9DAU/ref=sr_1_1?ie=UTF8&qid=1356126793&sr=8-1
Wednesday, 19 December 2012
Alec McQuay's Spares
I read Alec McQuay's novella in one happy sitting. Mental. I loved it! It's a grim vision of what we could become peppered with humour that kind of makes you want to be there (in that way where you're comfortably aware of being on your sofa with a lovely cup of tea and the bathroom within easy reach) The characters are bizarrely well drawn (you read it, you'll see how appropriate that wording is) and the pace is electric. Another knockout brought to you by FoxSpirit and the only complaint I have, Mr McQuay, is that I want MORE! Ta.
http://www.amazon.co.uk/Spares-ebook/dp/B009T9MFQU/ref=sr_1_2?ie=UTF8&qid=1355911395&sr=8-2
And if you haven't checked out FoxSpirit Books yet, then here's a link for your to peruse at your leisure
http://www.foxspirit.co.uk
http://www.amazon.co.uk/Spares-ebook/dp/B009T9MFQU/ref=sr_1_2?ie=UTF8&qid=1355911395&sr=8-2
And if you haven't checked out FoxSpirit Books yet, then here's a link for your to peruse at your leisure
http://www.foxspirit.co.uk
Tuesday, 11 December 2012
Weird Noir - NOW IN PAPERBACK!
Hurray! I'm in real live paper print! That's me holding the first printed book with my words in it! As though being included in the Fox Spirit anthology in the first place wasn't enough, it's gone from ebook to print. Avail yourself of a copy at Amazon toot sweets! Mine's the first story in there (and there's so many more to take a lovely weird bath in). You won't be sorry ... well, you might be, but only in a deliciously odd way.
Monday, 10 December 2012
I Stride Across Mountains
Something a little different from my usual fare, but my mind has been in need of a kick up the proverbial, so I did something healthy and focussed it into a poem. Get me!
I stride across mountains,
Take deserts by storm.
I sail through the heavens,
Strike camp on the moon.
I battle fierce ogres,
Fight demons of rage,
I tangle with shadows,
And strangle your shame.
For I am not timid,
Not tiny or small,
Nor will I be silent
Or frightened to fall.
I defy my adversaries,
My power is all –
I will not be transmuted
Into consumable form.
I am the wide ocean,
The sun and the rain,
I am forever and
Will never be tamed.
©Chloe Yates December 2012
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